So after Sparkle,wasn’t a product of my own doing as much it was a commentary on the state of where Black projects have been since then and still are today. None of us have a real grip on our own lives and our own personalities. First of all people are not fully developed in their early 20’s. LM: I have a whole theory about people that make it or do something really big when they are in their early 20’s. However in a People Magazine interview you stated that after the film’s success you went “wild” and “experimented with coke for a year.” Do you attribute that period with affecting the direction of your career? They didn’t need us hanging around their set.ĮBONY: After Sparkle, many pinned you to be the breakout star to reach mainstream success. One of our original producers is doing the remake so it is in very good hands and Salim Akil and Mara Brock Akil are fabulous. But it doesn’t matter to me whether they called or didn’t. LM: Let’s put it this way, if they contacted me I would have been there for them and shown up. And Sparkle as a solo act (with backup singers, a gospel choir and a full pit orchestra) brings down the house.EBONY: Would you have liked to have been involved in the project? "Sister and Her Sisters," the original trio, come across as a gifted American Idol version of Diana Ross and the Supremes, which I think is the idea. The basic purpose of the film is to fit the story into wall-to-wall music, and it does that with style and energy. I won't say more about Satin, except that the character inspires a prison sentence that is treated by the film with curious superficiality. The most electrifying scenes involve the destructive comedian Satin, a local celebrity, who finds Sister in love with the sincere young man Levi ( Omari Hardwick), humiliates him, sweeps her up, gives her a diamond and in what seems like days is knocking her around and has her addicted to cocaine. The screenplay by Mara Brock Akil, inspired by Joel Schumacher's original for the (lesser) 1976 movie "Sparkle," follows well-worn showbiz patterns as the girls go from rags to riches to tragedy to comeback. We are meant to believe these early steps in their career were made possible when they sneaked out of their bedroom windows at night apparently Emma had no hint of their subterfuge. That comes after the three girls have taken the first steps in a musical career masterminded by a nice guy named Stix ( Derek Luke), who meets Sparkle at church, falls in love, and produces their first shows. Carmen Ejogo, who you may recall as Thomas Jefferson's lover in the TV series "Sally Hemmings," steals the film not only in her sultry singing numbers but in her violent marriage to a snaky, evil comedian named Satin ( Mike Epps). She lives and breathes music and fills notebooks with her songs but doesn't have the courage to face the spotlight as the movie opens she's backstage urging Sister to solo, which Sister, after a show of reluctance, does - sensationally. The shy sweetheart is Sparkle, played by the perfectly named American Idol winner Jordin Sparks. The most serious is college student Dee ( Tika Sumpter), apparently the first woman they've ever seen who wears an Afro. The most fragrant flower in the bouquet is slinky, sexy Sister ( Carmen Ejogo).
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